甚麼是雕刻的建築？
相異的幾何元素組合
正方形與四十五度關係組合、正方形與三角形組合、延伸的椎體、切凹的幾何虛體、四十五度三角形的劃分體現了與正方形的關係，四十五度屋簷的凹凸組合。
最大公約的整體感
西服務核心形成與南立面相同高度的最高牆。這樣，一方面消除了屋頂形狀，使建築體不會有不完整的狀態，而是有一個完整的、封閉的組成。
體量與剪裁並存的矛盾
西南側正方形平面的量體，在東側卻以四十五度切割的矛盾並存。
三種剪裁的概念
之一東面是整體考量，四十五度量體構成概念。之二是南面與北面是四十五度的排列。之三南面與北面頂部四十五度內凹，切開挖出的大洞，是反量體的運作。
陰影的製造
基地的陽光充足，也有一個完整的四面。建築元素有陽台、遮陽板元素、內凹大洞製造陰影。而且四十五度陰影還能與立面四十五度形成構圖的趣味性。
洞的雕刻
室內中庭扶手的四十五度造型用來形成雕塑空間。另外一個為木製折面天花板。
視錯覺
現實體位、觀看方式、樓梯的差異構成了另一種錯覺。六樓的兩組樓梯呈四十五度交錯形狀，放置在大屋頂上，是坐標反轉的概念。
What is a carved building?
The combination of geometric elements
This project explores the combination of the relationship between 90 and 45 degrees, of the square and the triangle and extension of the vertebral body. The geometric virtual body cuts the concave figure. The division of the 45-degree triangle reflects the relationship with the square and the combination of the indented and convex 45-degree eaves.
The integrity of the largest convention
The west service core forms the highest wall with the same height as the south façade. In this way the roof shape is eliminated so that the building body will not be in an incomplete state, but will have a complete and closed composition.
The sense of volume and cutting are contradictory at the same time
The closed volume on the west side and the large 45-degree cut on the east side coexist.
Three types of tailoring concepts
One, the east is the overall consideration, and the 45 metric body constitutes the concept. Second, the south and north façades are organized in a 45-degree composition. Third, the south and north façades are 45 degrees concaved. The cut outs represent the anti-matter operation.
Shadow making
The site is sun filled in all directions. Balconies, sunshade elements, and concave large holes create shadows. The 45 degree casted shadows create interesting compositions on the 45 degree façade.
Carving of holes
The 45-degree folding plate of the handrail in the interior atrium is used to form a sculpture space. The second folding becomes a wooden folded ceiling panel.
Optical illusions
The difference in reality of our body positions, the methods of observation, and the stairs form an additional illusion. The two sets of stairs on the sixth floor have a 45-degree staggered shape. They are placed on the large roof according to the concept of coordinate system inversion.