「感知」，是一種看不見卻真實存在並難以言喻的感受與察覺，超越慣常的文字語言與知識體系。

本展邀請藝術家王德瑜與建築師林柏陽以忠泰美術館的空間為基礎，進行長期互動和對話，從藝術與建築兩種原本不同的思考角度與創作語彙，跨界合作，回應美術館空間本身，共同創造突破既定框架的新空間，邀請觀眾梭巡其中體驗與探索，企圖以此「現場」召喚出潛藏於每位觀眾最真實與純粹的感知。

整個美術館空間化作一件作品，觀眾不需要閱讀大量資訊文字，沒有任何理論框架限制，沒有單一標準制式的解釋。光與影、聲響與寧靜、堅硬與柔軟，在此空間中的各種樣態與面貌，皆由觀者本身的感知來定義。

本展企圖解開長久以來被約制的既定參觀展覽行為，引領觀眾實際以身體來探索在慣常所處之外，另一個不易察覺，卻與他人共感的界域向度，透過人與空間、自我與他者所建立的不斷變化的動態關係，進而思索存在的狀態或形式的可能性。

“Senses” refer to feelings and awareness invisible yet instinctive and indescribable beyond conventional written languages and knowledge systems.

This exhibition invites artist Te-Yu Wang and architect Bo-Yang Lin to engage in long-term interaction and dialogue on the spatial basis provided by the Jut Art Museum. They collaborate across the borders of two substantially different edifices, viz., art and architecture, responding to the museum’s space per se with their respective ideological perspectives and creative vocabularies. More specific, they collectively create a new space that transcends the rigid confines of established frameworks and then encourage the visitors to experience and explore it, expecting this “site” to evoke the most genuine and purest senses in the deepest recesses of each visitor’s mind.

The entire museum space thus metamorphoses into a piece of work. There are neither chunks of text nor theoretical frameworks and standard interpretations for the visitors. The modalities and features in this space, be they brightness and darkness, clamor and serenity, or firmness and softness, are subjectively defined in terms of the visitors’ personal senses.

Since this exhibition seeks to liberate people from the entrenched orthodoxy of visiting exhibitions, it guides the visitors to physically explore the realm far removed from the places they’re familiar with, a realm that is not easily perceived but shared with others. Such rheological relations between humanity and spaces as well as between self and others will in turn prompt the visitors to cogitate upon the possible state or form of being.